I think the “Only Classical” music thing is not because only classical music is good, but in an attempt to only listen to the best, we listen to what has endured. So, in our time, that will be different than in Charlotte Mason’s time.
These are “classical” but not classical composers: Gershwin, Bernstein, I second John Williams (composer of movie scores) AND John Williams (the guitar player – classical guitar). How about John Cage, for some odd and avante garde compositional techniques? Or Arnold Schoenberg from some truly avante garde compositions (hard to listen to, in my opinion, but fascinating!) Claude Debussy – impressionist-type composer.
How about composers of scores for musicals? I’m thinking about Meredith Wilson (The Music Man) or Lerner and Lowe (My Fair Lady, I think) or the Hammersteins (The Sound of Music). Maybe Leroy Anderson? (a favorite of a couple generations ago – Grandfather’s Clock, Sleigh Ride, etc., all orchestral, but SO easy to listen to).
If you could stand it, you could do opera for a bit. *L* Or, how about just the overtures to go along with the operas, that’d be easier.
I know, operettas! Gilbert and Sullivan – so much fun!
How about composers of different countries? Isaac Albeniz (Spain), Percy Grainger (Australia), Heitor Villa-Lovos (Brazil), Jean Sibelius (Scandanavian), etc. OOOh, Edvard Grieg (New World Symphony).
Ballet? Think Nutcracker and Romeo & Juliet (Tchaikovsky) and more modern ones (Copland, Ralph Vaughn Williams, etc.)
I’m a music teacher by training, and I get bored with always doing composers – -so this year, we did Bernstein (I intro’d him by listening to Jim Weiss’s recording of Romeo and Juliet, then explained that Bernstein wrote a modern re-telling – West Side Story, told them the storyline and then listened to some of the music from WSS. Our girls are too young to experience the movie (cursing, etc.). But I felt this was a good intro.)
Right now, we’re working through the instrument families in the orchestra. Later in our schooling, I have plans of spending a term on just choral music or just vocal music…..or even just a performer (Ella Fitzgerald, Sarah Vaughn, Billie Holiday – I’m not sure why I’m thinking so much about jazz!). Sometime, I want to explore just piano music or just the music of whatever instruments our girls are studying at that point. Again, not for a LONG time, but a couple weeks would be enough to get a feel for it.
Another thing I’d like to do sometime is do church music through the ages – Hildegard of Bingen (or something like that – nun’s music, Gregorian chant). Right on up through John Wesley and Lowell Mason (who actually had a lot to do with the public school movement in Boston). and then ending with Stuart Townsend and the Getty’s who in my opinion are right up there with the greatest hymn writers of all time.
After spending time with quality music of all genres and generations, you could spend a bit of time on popular music— not necessarily GREAT music, but popular and the discussion of how music relates to the culture (the old Seinfeld question of “Does life follow Seinfeld or does Seinfeld follow life?”) and politics and social condition could be really interesting to a music-nerdy type like me!! So you could bring in country music, current jazz, R&B, Rap??? (is that really music??? I’ve got some qualms about that, personally).
I’m sorry this is such a long post — but I LOVE thinking about all the different ways to study music. I get very excited about it and then realize that we still have to do the other subjects……and laundry and cooking!
Anyway, I hope you’ve found some new names and some inspiration.