I did a workshop on this a few years ago. I will try to condense my notes into a post. 🙂 I hope it’s not too long for this thread. (Any books listed are my own opinion, and I’m fine if others disagree–just know WHY you disagree. 🙂 )
I don’t mind if a book is sad (Romeo and Juliet) or if depicts evil (The Hiding Place), or if it is dystopian but with a purpose (The Giver). I do have a problem if:
-the evil is without purpose
-if there is guilt without redemption (A Separate Peace, imho, though some like this book a lot so I presume they disagree with my assessment)
-if it depicts life as hopeless, purposeless,or governed by an impersonal and mostly negative “fate” (Oedipus Rex)
-if it contains occult elements, New Age, terror and loathing, as many teen fiction seems to have, today.
There are some good reasons to read even some of the darker books, though. Besides the quote given by someone else from C. S. Lewis, here is another that is relevant, imho:
“If only there were evil people somewhere, insidiously committing evil deeds and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” Alexander Solzhenitsyn, The Gulag Archipelago. Dark literature can be worthwhile if it helps us see this line in our own hearts.
Other reasons I think it can be valid to study some of these darker books are:
A. to think through philosophical or moral issues more deeply
B. to experience something vicariously, so you don’t do the same stupid thing yourself; as a warning
C. to understand how the “rest of the world” thinks/lives, to understand their historical/religious/philosophical viewpoints; some of this may be necessary.
D. to watch/participate in growth (This only works if growth is permitted–in story The Mayor of Casterbridge, eg, growth does not really occur–all is wiped out by fate. [disclaimer–I have not read this book; this is based on my dh’s recollections of his high school reading.)
E. Stories without plot are boring (Andrew Pudewa,IEW)
F. May be example of very vivid writing or allow exploration of particular stylistic issue. (Julius Caesar, eg, though it doesn’t really fit my definition of “dark” lit, allows discussion of irony, propaganda, demagoguery, and more.)
G. Catharsis (It can be nice to see someone with more problems than I have! This should probably be small quantities, as it can be easily overdone.)
Here is another quote, this one from World magazine. It’s about movies, but I think it applies to books, as well:
“[Secular films] get sin right–the lure of it, the cost of it, and the beauty human beings are capable of when….they rise above it….these depictions can be enriching, but what they don’t show is a lasting solution to the sin and suffering question…. [Christian films] rarely know how to approach sin and suffering in a realistic manner…. They then offer a solution that is real, but appears trivial and nearly powerless juxtaposed to the problems it solves.” (World, April 24, 2010, p. 17)
And yet one more quote:
“…spend a lot of time on whole books, books where good is portrayed as good and good wins out over evil in the end. Broken books are those where good is good and bad is bad but bad wins. Bent books are books that portray evil as good and good as evil and they basically stir up the sin tendencies of the reader. Healing books can be either whole or broken, these are the books that make you want to go out and fix what’s wrong with their message.” (From a friend’s description of a section of A Thomas Jefferson Education, by Oliver DeMille)
My own list of possible solutions:
A. pick and choose carefully
B. Do some, but limit total number and percentage of dark books.
C. Make sure not to miss some of the great, older classics, both Christian and secular (Homer through Augustine to Dickens, say–look at some of the older “great books” lists)
Older books (from Christian era) may still have darkness, but it’s not usually without purpose or redemption.)
D. Discuss, discuss, discuss! Help kids see the meaning that you see, as adult. Prepare them with what to watch for, ask what they saw, and talk about Biblical concepts that relate. I was really surprised, reading back through some books I hated as a teen, to see how much depth was really there that I completely missed because nobody talked about it. (I’m looking at you, Jane Eyre! 🙂 )
E. Teach them how to choose for themselves. Let them tell you if a book is too much for them. (Do not force them into a situation that makes them stumble.) Ask them: When would you put down a book? How would you tell if a book is likely to be worth struggling through? They will be doing this themselves, pretty soon!
Then here at the end is where I put in the C.S. Lewis quote:
“Since it is so likely that they will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise, you are making their destiny not brighter but darker.” C.S. Lewis, Of Other Worlds, “On Three Ways of Writing for Children,” found online
(The concepts and wording of this are copyrighted, 2017, by myself. If you would like to use them in any other context, please check with me first. Thank you!)