Well, ya’ll confirmed the direction I was already moving in then. Since it’s a “smaller” subject in terms of materials, I think a family notebook makes more sense.
I have plenty of the music, a Beethoven bio (the old one by O.W) and composer coloring pages form Dover and the audio, “Beethoven lives upstairs”. For artists, I have several coffee table art books (esp. Impressionists, which is my fav.), artist calendars, the artist video series on the three I picked out for this year, a Monet bio (I’m thinkiong about the Dover color your own masterpieces, unless I can find something online, free)
My main quandry is that my husband suffers from seizures, so I can’t always play music with certain instruments and frequencies (like violins) due to the effects it has on his brain; he says it literally feels painful. He’s trying to accomodate more, but I don’t get to play it as much as I would like.
I’m taking them to a “children’s” orchestra (it’s shorter, with some learning aids involved) in Feb.
I also enjoy an ecletic mix. Specifically, American folk, our own Messianic Jewish music, Israeli and Celtic folk music for our backgrounds and for the Southerner in me (and my children!)bluegrass is enjoyed (love that fiddle!)as well as THE BLUES! Specifically, Texas Blues. It moves me! Not to mention I have a penchant for Broadway music. Good stuff! BTW, has anyone exposed their children to the famous Victor Borge? He’s dead now, butI remember fondly watcing him as a child. He was a classical pianist who used humor in his presentations. YOU’ve got to Netflix him or keep an eye out for him on PBS. He was quite an enjoyment.
I agree about the jazz history, too. Though I can’t handle fusion jazz; I feel like my head is going to explode! I like the Harry Connick Jr. type, I guess, more like swing/Big Band than actually jazz. BTW,there’s a republished bio of Stephen Foster at Zeezok publihing. I don’t know anything about him other than his influence with American folk music in our past.
Thanks,
Rachel